French 1826-1898 Moreau's main focus was the illustration of biblical and mythological figures. As a painter of literary ideas rather than visual images, he appealed to the imaginations of some Symbolist writers and artists, who saw him as a precursor to their movement. His father, Louis Jean Marie Moreau, was an architect, who recognized his talent. His mother was Adele Pauline des Moutiers. Moreau studied under François-Édouard Picot and became a friend of Th??odore Chass??riau, whose work strongly influenced his own. Moreau carried on a deeply personal 25-year relationship, possibly romantic, with Adelaide-Alexandrine Dureux, a woman whom he drew several times.[1] His first painting was a Piet?? which is now located in the cathedral at Angoul??me. He showed A Scene from the Song of Songs and The Death of Darius in the Salon of 1853. In 1853 he contributed Athenians with the Minotaur and Moses Putting Off his Sandals within Sight of the Promised Land to the Great Exhibition. Oedipus and the Sphinx, one of his first symbolist paintings, was exhibited at the Salon of 1864. Over his lifetime, he produced over 8,000 paintings, watercolors and drawings, many of which are on display in Paris' Mus??e national Gustave Moreau at 14, rue de la Rochefoucauld (IXe arrondissement). The museum is in his former workshop, and was opened to the public in 1903. Andr?? Breton famously used to "haunt" the museum and regarded Moreau as a precursor to Surrealism. He had become a professor at Paris' École des Beaux-Arts in 1891 and counted among his many students the fauvist painters, Henri Matisse and Georges Rouault. Moreau is buried in Paris' Cimeti??re de Montmartre. In Alan Moore's graphic novel, The League of Extraordinary Gentlemen, it is implied that he was a nephew of Doctor Moreau, and he based a few of his paintings on the Doctor's creations.  Related Paintings of Gustave Moreau :. | Salome | Jason and Medea | Salome at the Prison | The Martyred St. Sebastian | Herkules und die Lernaische Hydra |
Related Artists:
Valtat Louis
Dieppe 1869-Choisel 1952 French painter, printmaker and stage designer. He spent much of his youth in Versailles, moving in 1887 to Paris, where he studied under Gustave Moreau at the Ecole des Beaux-Arts and under Jules Dupre at the Acad?mie Julian. There he met Maurice Denis, Pierre Bonnard, Edouard Vuillard and Albert Andre. With a keen interest in both artistic precedents and contemporary trends, he absorbed in the mid-1890s the chief tenets of Impressionism, van Gogh's work and Pointillism before slowly developing his own style.
Jakob Alt
1789-1872 Austrian Jakob Wassermann was born on March 10, 1873, in Furth, the son of a Jewish merchant. After a childhood with many restrictions, he began his career as an office clerk, in Munich and then in Freiburg. In 1898 he moved to Vienna and eventually established himself as a writer. Derivative and imitative, Wassermanns novels showed from the outset a strong dependence upon Fyodor Dostoevsky - particularly in his fondness for the psychological probing of criminals and social outcasts - as well as the influence of the master of the romantic horror and detective story, E. T. A. Hoffmann. Wassermanns first significant work is Die Juden von Zirndorf (1897, The Jews of Zirndorf), in which his deep knowledge of his own community in F??rth and Nuremberg stands him in good stead. As in many of his other works, Wassermanns preoccupation with innocence and redemption is here interleaved with a somewhat crass depiction of depravity and superstition. Der Moloch (1902) pays tribute to the contemporary literary cult of the great city (here Vienna), seen as an all-devouring monster of sin and perversion. Caspar Hauser (1908) is probably the authors best novel; the book, based on fact, deals with the case of the mute youth who appeared one day in 1828 on the streets of Nuremberg. Resemblances to Dostoevskys The Idiot may also be noted in this tale of the rejection and contamination of innate purity by corrupt society. After Caspar Hauser Wassermanns novels and short stories become increasingly preoccupied with bizarre and perverse anecdotes and intrigue, often initially drawn from biography or the newspapers. Das Gansemannchen (1915; The Goose Man) illuminates the problem involved in simultaneous cohabitation with two wives. Christian Wahnschaffe (1919) exploits the theme of the rich mans son who rejects the world to turn toward Buddhism. Der Fall Maurizius (1928, The Mauritius Case) is a type of detective novel made colorful by excursions into hypnosis but also weighed down by a tedious mass of psychological dissection. Like Honor?? de Balzac, whom he imitated, Wassermann introduces the same characters into different novels; thus Etzel Andergast (1931) is a sequel to The Mauritius Case, and its hero, Joseph Kerkhoven, reappears in Joseph Kerkhovens dritte Existenz (1934, Joseph Kerkhovens Third Existence). Wassermann is a somewhat uneven and labored writer, and he cannot in any sense be considered a stylist. His novels are often marred by diffuseness and miasmic obscurity. At the same time his extensive output is of considerable historical interest and illuminates rather well the consequences of marriage between the new depth psychology and the popular novel of sensation and crime. He died on Jan. 1, 1934, in Alt-Aussee.
Nico Klopp
Den Nico Klopp war e letzebuergesche Moler. Hien ass den 18. September 1894 zu Bech-Maacher gebuer, an den 29. Dezember 1930 an der Stad Lëtzebuerg gestuerwen, wahrscheinlech un engem Gehirtumor, am Alter vun nëmme 36 Joer. Hie gëtt zu de postimpressionistesche Moler gerechent. Säi LiewenDen Nico Klopp koum aus dem Wënzermilieu. Hien huet d'Handwierkerschoul an der Stad besicht. Seng Eltere si frei gestuerwen. No hirem Doud, huet hie sech fräi gefillt, fir vun 1915-1920 zu Dusseldorf a Weimar Konscht ze studeieren. Well hie vun der Konscht aleng net liewe konnt, war hien, vun 1923 un, Gemengereceveur zu Reimech. Zäitweileg huet hien op Schoulen Zeechenunterrecht ginn, an huet nach en Täschegeld als Kannengerchersziichter verdengt. 1927 huet hie sech mat e puer anere Kënschtler, wei dem Joseph Kutter, dem Claus Cito, dem Auguste Tremont an anere vum Cercle Artistique getrennt, well him de Cercle ze reckstänneg war. Si goufe Sezessioniste genannt, well se 1927 e Salon de la Secession" organiseiert haten. E puer vu senge Wierker sinn am Nationalmusee fir Geschicht a Konscht an der Stad ze gesinn. Den Nico Klopp huet vill Biller vun der Musel gemoolt, bekannt si virun allem seng Biller vun der Muselbreck zu Reimech. Hien huet och Blummebiller gemoolt an dobäi hat hien eng Präferenz fir Tulpen. Ausserdeem war hien e Meeschter an Holz- a Linoschnëtter.